Exporting European music via US synchs

The market for audio-visual synchs – whether in the cinema, in television series, adverts or in other content – has never been more dynamic or more competitive. In the US, the job of ‘music supervisors’ is one dedicated to the task of finding the right music for the right program. How can European artists get into this market and use their synchs strategically to get a foothold in the North American market and become a tool for export?

Westway LAB 2018 2018
Sync Export
Export Synch